Pickled Bits

Nothing says Happy Halloween quite like an unsettling display of putrefied-looking body parts neatly stuffed into jars. It’s a perfect way to begin the season. So gather up your boxes of Halloween decorations so we can engage in the fine art of extreme pickling.

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Scratching The Surface

In my previous post, the art of sgraffito was explored with the use of plaster. Here’s a simple variation using oil pastels.

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Sgraffito

This summer, I saw some wonderful street art in Lisbon made by the artist Alexandre Farto, also known as Vhils. He creates portraits on the facade of buildings by chipping away at the plaster surface and revealing the underlying layers of bricks and stones. You can have a look at this video to see him working. 

Portrait of Brad Downey by Vhils. Lisbon 2011

It was very impressive and had me wondering how this could translate into a project for children. Abandoned buildings…power tools…not practical directions to take! But those wonderful layers had me thinking about sgraffito. Sgraffito, which comes from the Italian word sgraffiare, means to scratch. It is a very old technique which involves applying 2 or more layers of tinted plaster on top of each other. A variety of tools are then used to scratch away sections of the uppermost layer, revealing the underlying colours, which add depth and texture to the work. It’s primary use was for wall decor and ceramics, and while it was explored in many parts of the world, it became immensely popular in 16th century Italy. While traditionally made with plaster, it can also be created with paints and oil pastels.

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Hundertwasser’s Unusual Designs

The Austrian artist and architect, Friedensreich Hundertwasser, had a truly unique way of expressing himself. His work was filled with bold colours, organic shapes, and an obvious respect for nature. Some his architectural designs included rooftops covered with grass, deliberately uneven apartment floors, and always a preference for curvy lines over straight ones. He loved to experiment and often chose to make his own paints, while also exploring a variety of different supports for his work like wood and wrapping paper. He remains one of the most well-known contemporary Austrian artists, and his unique and unusual architectural designs and paintings continue to draw admiration today.

This mixed media project is about painting a building inspired by Hundertwasser’s style, filled with vibrantly coloured waves, curves, and irregular forms.

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Painting a Galaxy

Our universe is made up of billions of galaxies. Each one is a collections of stars, dust, gas and dark matter, and found in either elliptical, spiral, or irregular shapes. Images of galaxies can be truly breathtaking and mysterious, and will easily inspire children when making their own version. They’ll be painting, sponging, splattering, and using a glass bead textured gel medium to create a cool effect. 

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Gargoyles and Grotesques

Long before we invented downspouts, the Ancient Egyptians and Greeks were worrying their pretty heads off about water damage. I’m guessing it was during a night of serious debauchery, that someone had the idea of strategically placing sculpted lion heads with spouts on the sides of buildings, thereby redirecting the flow of water from rooftops to prevent erosion. Brilliant, n’est ce pas? And so began the idea of adorning buildings with human and animal stone carvings, to protect masonry and mortar from water. They became highly popular during Medieval times, and graced the facades of many cathedrals like Notre Dame de Paris. It was believed the more grotesque looking ones served as a reminder of the evil that lurked about, while others served to protect from evil.

I have loved the troubling little faces of gargoyles and grotesques ever since I can remember, but only recently learned the difference between them. A spout. When it rains, water flows through the gargoyle’s elongated body, shoots out of its mouth through the spout, earning it the charming nickname “water vomiter.” If a stone sculpture lacks the unique ability to vomit water, it is called a grotesque. Today, however, the terms seem to be interchangeable.

When making your gargoyle/grotesque, keep in mind that a variety of human and animal forms were used. Animals were chosen for their symbolic meanings, and common ones were dogs, lions, eagles, wolves, monkeys, goats, and snakes. Some were fantasy creatures like dragons, griffins and chimeras (imaginary creature composed of body parts from different animals), while human gargoyles were often strange and humorous looking, perhaps like your Uncle Freddy.

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Painted Sticks

Blending art and nature is a wonderful way to beautify your outdoor space, and it all begins with a little exploring. You’ll need nothing more than a sunny afternoon and some eager children willing to wander through your local park, ravine or woods to gather sticks for this project.

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Paper Mâché Bowling Pins

While exploring the labyrinth of streets and medieval alleys in Lisbon’s historical Alfama district, I came across a teeny little shop called Chapito. Turns out it’s part of a school, and showcases an interesting assortment of products made by students and graduates, including some lovely enamel jewelry, cork necklaces, and a bowling pin covered in comics. This was definitely the coolest looking bowling pin I’ve ever seen, and served as inspiration for this project.

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Embedded

Many of us return from our travels with a few mementos and trinkets tucked into the corners of our luggage. They’re great to use in holiday themed scrapbooks and travel collages, but they’re also perfect for painting like Jackson Pollock. In his 1947 oil painting, Full Fathom Five, paint is thickly layered and drizzled in classic Pollock ‘drip’ style. Put your specs on, however, and you’ll notice a variety of objects embedded in the paint including nails, buttons, coins, and even cigarette butts. It’s a very cool way to immortalize your trip and display your memories. If you happen to be in Toronto, you can view this painting at the AGO until September 4th. After that, you’ll have to head to its home in New York.

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Wire Mobiles

Alexander Calder was born into a family of artists, and while he initially began painting and drawing, he developed a keen interest in mechanics and engineering which he incorporated into his work. His innovative way of thinking and wonderful sense of play lead to explorations in kinetic art, where sculptures were moved about by air currents or motor power. He became famous for inventing these mobiles, as they became known. They showed us a new way of looking at sculpture, which was now shown to move freely and interact with the environment. This project will allow children to experience making this kind of mobile, by using wire to create 3 dimensional portraits.

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